Below is an excerpt from "The Anarchy: The East India Company, Corporate Violence, and the Pillage of an Empire" by William Dalrymple.
The status of the English at the Mughal court in this period is perhaps most graphically illustrated by one of the most famous images of the period, a miniature by Jahangir’s master artist, Bichitr. The conceit of the painting is how the pious Jahangir preferred the company of Sufis and saints to that of powerful princes. This was actually not as far-fetched as it might sound: one of Roe’s most telling anecdotes relates how Jahangir amazed the English envoy by spending an hour chatting to a passing holy man he encountered on his travels:
" ... a poor silly old man, all asht, ragd and patcht, with a young roague attending on him. This miserable wretch cloathed in rags, crowned with feathers, his Majestie talked with about an hour, with such familiaritie and shew of kindnesse, that it must needs argue an humilitie not found easily among Kings … He took him up in his armes, which no cleanly body durst have touched, imbracing him, and three times laying his hand on his heart, calling him father, he left him, and all of us, and “me, in admiration of such a virtue in a heathen Prince.”
Jahangir was the ruler of the vast Mughal emperor at the time (around 1616) and the story Roe tells clearly shows how little the English understood spirituality. Notice Roe's focus on appearances (how dishevelled the old man was) whereas the emperor clearly recognised the old man's spiritual status and accorded him due respect. A clash of cultures indeed. The British never learned to respect Indian spirituality and instead sought to force Christianity on the "heathens".