Monday, January 19, 2026

Nadine Tolstoy

I came across this interesting article about Leo Tolstoy and remembered that Nadine Tolstoy who married one of Leo Tolstoy's sons was one of Meher Baba's Western followers. Here is the article after which I'll write a little about Nadine Tolstoy.


Leo Tolstoy

Quote of the day by Leo Tolstoy: 'Everyone thinks of changing the world, but no one thinks of changing himself'

Leo Tolstoy stands among the most revered and influential literary figures in human history. Widely acknowledged as one of the greatest writers ever to live, he dominated nineteenth-century literature through the sheer breadth and depth of his work. His monumental novels, including War and Peace, Anna Karenina, and Resurrection, reshaped the art of storytelling, while his short fiction such as Alyosha the Pot, After the Ball, and God Sees the Truth but Waits revealed his mastery of moral insight in compact form. Few writers have explored the human condition with such intensity, realism, and philosophical weight.

A Thought That Defined His Worldview

Tolstoy's writings were guided by deep ethical reflection and personal accountability. One of his most enduring observations remains profoundly relevant even today: "Everyone thinks of changing the world, but no one thinks of changing himself." This idea encapsulates his lifelong struggle with conscience, morality, and self-transformation, themes that recur powerfully throughout his body of work.

Early Life and Personal Loss

Tolstoy was born at Yasnaya Polyana, his family's country estate located near Tula and south of Moscow. He was the fourth of five children born to Count Nikolai Ilyich Tolstoy, a decorated veteran of the Patriotic War of 1812, and Princess Mariya Tolstaya, née Volkonskaya. Tragedy struck early in his life, as he lost his mother at the age of two and his father by the time he was nine, experiences that deeply shaped his emotional and philosophical outlook.

Education and a Restless Youth

In 1844, Tolstoy enrolled at Kazan University to study law and Oriental languages. However, his academic journey was short-lived. Professors viewed him as disengaged and lacking discipline, and he ultimately abandoned his studies midway. Returning to Yasnaya Polyana, he drifted between Moscow, Tula, and Saint Petersburg, living an indulgent and carefree life. During this period of uncertainty, he began to write seriously, producing his first novel, Childhood, published in 1852, a semi-autobiographical exploration of youth and memory.

Realism and Literary Mastery

Tolstoy's fiction is distinguished by its unwavering commitment to portraying Russian society with honesty and depth. The Cossacks offered a vivid depiction of Cossack life through the lens of a Russian nobleman's romantic entanglement. Anna Karenina interwove the tragic fate of a woman constrained by social conventions with the spiritual journey of a landowner seeking purpose through labor and reform. Many of Tolstoy's most iconic characters reflected aspects of his own personality, including Pierre Bezukhov and Prince Andrei in War and Peace, Levin in Anna Karenina, and Prince Nekhlyudov in Resurrection.

Spiritual Awakening and Radical Beliefs

Following Anna Karenina, Tolstoy underwent a profound spiritual transformation. His later works, including The Death of Ivan Ilyich and What Is to Be Done?, articulated a radical Christian philosophy rooted in pacifism, moral purity, and social equality. These beliefs ultimately led to his excommunication from the Russian Orthodox Church in 1901. He came to reject much of Western culture, even criticizing his own celebrated novels as elitist expressions that failed to embody true Christian compassion.

Final Works and Enduring Praise

In Resurrection, Tolstoy exposed the cruelty of institutional systems and condemned the moral failures of organized religion. He also embraced and promoted the economic ideas of Georgism later in life. His influence has endured across generations, earning admiration from countless writers and critics. Virginia Woolf hailed him as the greatest of all novelists, while Gary Saul Morson described War and Peace as the finest novel ever written, securing Tolstoy's place as a timeless literary giant. 

 


Nadine Tolstoy

Now about Nadine:

Background and Identity

Countess Nadine Tolstoy (also referred to as Nadia) was the daughter-in-law of the famous Russian author Count Leo Tolstoy, having married his son, Ilya. She was a Russian émigré who had studied music at the University of Petrograd and spoke several languages. Described as an earnest seeker of Truth interested in mystical literature and esoteric philosophy, she had previously practiced kriya yoga under the guidance of Swami Yogananda.

First Contact and Recognition (1931)

Nadine first met Meher Baba on 19 November 1931 at the Harmon Retreat in New York. Upon seeing him, she exclaimed, "My search is over!". She intuitively recognised him as the Christ and felt he was her "resurrection". During this meeting:

*   Baba told her she had been waiting for him for a long time and that he would help her.

*   He instructed her that the yoga exercises she was practicing were "not for the West" and not for her, signaling a shift to his guidance.

*   To distinguish her from his cousin Naja, Baba changed her nickname from Nadia to Nadine.

She later brought her husband, Ilya, to meet Baba. Ilya was deeply impressed, stating he felt Baba’s divine influence. Ilya passed away a year and a half later, an event which the sources note "freed Nadine to journey to India to be with Baba".

Discipleship and Service in India

Nadine became one of Baba's close Western disciples, joining him on travels and living in his ashrams in India.

Ashram Life and Duties

*   Nasik (1937): Nadine resided at the Nasik ashram where her assigned duties included translating Baba’s life and messages into Russian and assisting other Western disciples like Norina Matchabelli and Ruano Bogislav.

*   Hospital Matron (1938): When Baba established a hospital for women on Meherabad Hill, Nadine served as the Matron under a woman doctor. Baba explained that he gave her this work to teach her the "real spirit of serving — selflessness". She witnessed the "holy wine" of Baba's embrace reviving the hopes of the destitute patients.

*   Bangalore (1939): She lived with the mandali at the "Links" bungalow and participated in public events, delivering speeches about her experiences with Baba at the Bangalore Town Hall and the Indian Institute of Science.

Personality and Baba's View

Baba described Nadine as a "beautiful soul" and promised to repay her for her suffering with permanent bliss. He once commented on her solitary nature within the group, stating she was "most fortunate" because her nature did not agree with anyone else's, forcing her to lean entirely on him rather than on other disciples. He added that she was so loving she would speak for him "even on the top of Mount Everest with only the snow to hear her".

Return to the West and Final Years

Nadine returned to the West in the early 1940s, eventually living in New York with fellow disciples Norina Matchabelli and Elizabeth Patterson. She continued to work for Baba through "life surrender".

Death

Nadine Tolstoy passed away on 14 April 1946, at the age of 62, in Roosevelt Hospital, New York. Upon receiving the news, Meher Baba cabled: "Tell Elizabeth, Nadia lives in me, with me and for me more than ever before". He referred to her as "one of my rocks on whom I can depend".

Although she died in America, Baba left instructions for her tombstone in India (likely for her ashes), ordering the epitaph: "Nadine Tolstoy, her happiness was Baba".

There's more about Nadine at this location. 

Sunday, January 18, 2026

Meher Baba and the Significance of the Number Seven

Based on the provided sources, Meher Baba frequently referenced the number 7 to explain the structure of the universe, the evolution of consciousness, the anatomy of the human form, and the timing of the Avatar’s advent. Additionally, he often utilized the number 7 in his spiritual work, rituals, and instructions to disciples.

Here is a report on Meher Baba's references to the number 7.

1. Cosmology and the Structure of the Universe

Meher Baba described the number 7 as significant to the fundamental structure of creation, originating from the initial clash between Energy (Pran) and Matter (Akash).

  • Origins: In the beginning, the clash between Matter and Energy divided Energy’s powers into seven forces.
  • Structure: There are seven worlds, seven skies, seven suns, seven moons, seven planes, and seven heavens,.
  • Shadows of God: The gross universe is described as the seventh shadow of the original Light of God. The "Original Sound" (Om Point) manifests as seven sounds; the music of the subtle plane is a shadow of this Original Sound.
  • The Seven-Fold Veil: The spiritual path involves removing the "sevenfold veil" of illusion. Entering the path involves a "seven-in-one achievement," which includes unfastening the first knot, the disappearance of the first fold, and wiping out the first of the seven deep, dark colors.

2. Evolution and Involution of Consciousness

The number 7 is central to Meher Baba’s explanation of how consciousness develops from the most finite state to the infinite state.

  • Evolutionary Leaps: To achieve full consciousness in human form, the soul must pass through seven major leaps of evolution: stone, metal, vegetable, worm, fish, bird, and animal,,.
  • Twists and Shakes: In the process of evolution, there are seven twists of sanskaras. After every seventh stage or form, there is a twist. The soul goes through 84 lakhs (8.4 million) of shakes (births and deaths) during this process,,.
  • The Seven Planes (Involution): After attaining human form, the soul eventually enters the process of involution, ascending through seven planes of consciousness,,. The seventh plane is the final goal where the soul realizes its identity as God,,.
  • Involutionary Stages: There are seven stages of "descent" (winding of sanskaras) and seven stages of "ascent" (unwinding/involution),.

3. The Human Form

Meher Baba explained that the human body reflects the structure of the universe, specifically regarding the number 7.

  • Openings in the Head: There are seven openings in the human head: two eyes, two ears, two nostrils, and one mouth.
  • Parts of the Body: The body consists of seven parts: two arms, two legs, two openings (front and back), and the trunk.
  • Correspondence to Planes: The seven parts of the physical body (front) correspond to the seven planes, while parts on the back of the body correspond to the seven heavens.

4. The Avataric Cycle and Spiritual Hierarchy

  • 700-Year Cycle: Meher Baba stated that the Avatar (the Ancient One) returns to earth every 700 years,. At the end of a cycle, he returns to bestow his "Ancient State".
  • 7th Plane Beings: While there are always five Perfect Masters (Sadgurus/Qutubs), the sources note there are generally three beings on the seventh plane in India (two Majzoobs and one Jivanmukta),.
  • Seven Realities: Meher Baba gave a specific teaching titled "The Seven Realities," which are: Real Existence, Real Love, Real Sacrifice, Real Renunciation, Real Knowledge, Real Control, and Real Surrender,,.

5. Symbolism and Rituals in Baba’s Work

Meher Baba frequently employed the number 7 in his external work, instructions to mandali, and symbolic gestures.

  • The Seven-Colored Flag: In 1924, Baba designed a flag with seven colors to represent the seven planes of consciousness and the sanskaras. He specified that red should be at the bottom (representing the grossest impressions) and sky blue at the top,,.
  • Masts and the Poor: Baba often worked with groups of seven poor people (washing their feet and giving money),, or seven masts (God-intoxicated souls),.
  • Repetition of Names: Baba often instructed disciples to repeat a name of God or a specific prayer seven times,,,.
  • Fasting and Seclusion: He frequently set periods of fasting or seclusion for seven days,.
  • Other Symbolic Uses:
    • Baba utilized a seven-metal spade for the ground-breaking of his center.
    • He planted seven mango saplings.
    • He referenced seven types of masts (plus a rare eighth type).
    • During a drive in 1956, he stood at four compass points and worked, wearing a garland of seven sea shells representing the seven stages of man.

6. Numerological Significance

According to an astrological analysis in the sources, Meher Baba's birth date (25-2-1894) reduces to the number 7 (2+5=7). In numerology, the number 7 is described as symbolizing "unifying Good and Evil," the power of spirit over matter, and is governed by the planet Neptune.

The Limited Ego

This was the daily quote from the Avatar Meher Baba Bombay Centre:

(Jan. 1939) . . . Dr. Deshmukh arrived from Nagpur to see Baba in Jabalpur. His mind was quite troubled and he told Baba that people were asking him why Baba was calling himself “God.” They were saying, “Isn’t this the expression of his ego? Isn’t he a supreme egotist?” Deshmukh did not know how to answer them. To pacify Deshmukh, Baba gave this explanation:

In all that a God-Realized soul or an ordinary man says or does, the “I” in him asserts itself. The difference between the two is that the “I” in the ordinary man is limited, whereas in the God-Realized being it is unlimited. If Deshmukh says, “I have written the book,” it is the limited “I” in Deshmukh asserting a certain job he has done. But when I say, “I am God,” it is the unlimited “I” asserting its universal aspect.

The limited “I” must go for the unlimited “I” to take its place. The limited “I” is like a seven-headed demon. The seven heads of lust, anger, greed, attachment, pride, jealousy and hatred must be killed so thoroughly that not even the slightest trace remains. When the false “I” is completely destroyed, another “I,” which is Real and Unlimited, takes its place.

 Lord Meher, Original Publication, Bhau Kalchuri, Vol.7, p. 2354. 

I put the final paragraph to Gemini with the following prompt:

Imagine the following quote as an image that encapsulates the essential message in the text. Harte is the text: “ The limited “I” must go for the unlimited “I” to take its place. The limited “I” is like a seven-headed demon. The seven heads of lust, anger, greed, attachment, pride, jealousy and hatred must be killed so thoroughly that not even the slightest trace remains. When the false “I” is completely destroyed, another “I,” which is Real and Unlimited, takes its place.” 

Figure 1 shows its Gemini's response:


Figure 1

Here was Gemini's thinking leading to its creation:

Dissecting Key Elements

I'm now focusing on deconstructing the quote to isolate the critical components. I've pinpointed the key elements: a "limited 'I'," represented as a seven-headed demon, the "Real and Unlimited 'I'," and the core process of destruction and transition. The goal is to visually represent this dynamic.

Defining Visual Representation

I'm now progressing toward the creation of a visual representation. I've broken down the central quote to clarify its key elements. I'm focusing on the "limited 'I'," the "Real and Unlimited 'I'," and the process of change. I'm developing imagery of a seven-headed figure and a glowing orb.

Considering Symbolic Visuals

I'm currently focused on the symbolic representation within the generated content. The aim is to ensure the visual elements effectively convey the intended meaning, specifically the contrast between limitation and boundlessness. The core concern is the accurate depiction of this transition.

Refining Symbolic Depiction

I'm now zeroing in on the visual metaphors used to communicate the core concept. The central focus is on refining how the images depict the shift from constraint to freedom. I will emphasize the relationship between the visual elements to ensure clarity, as this is critical to the image's effectiveness.

Figure 2 shows a seven-headed Naga:


Cambodian seven-headed nāga
at the 
Royal Palace in Phnom Penh.